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September 17th, 2001, 08:39 PM
#21
MovieStuff
Guest
No, I haven't had a chance. I was going to use it when I finished your WorkPrinter, but I guess I could go ahead and transfer it. I was going to transfer both with the ink jet paper and using the condenser lens, so I guess I could do the ink jet paper transfer now. I'll do it soon and post some pics.
Roger
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September 21st, 2001, 05:32 PM
#22
Matt Pacini
Guest
Roger, have you ever built a 16mm version of the Workprinter?
How much would one cost, when I make the inevitable move up to 16mm, and want to move the condenser lens setup to the 16mm projector (if it's feasible)????
THanks,
Matt Pacini
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September 22nd, 2001, 06:33 PM
#23
MovieStuff
Guest
The cost would be a bit more, since the 16mm chasis is more than the GAFs I pick up used. Also, I've already done the research on the Super 8 version. I would still need to work out some mechanical issues with the 16mm since I probably can't use the same motor assembly like I do on the GAFs.
The other thing is that 16mm is pretty much a negative medium, unless you want to shoot Kodachrome! Transferring 16mm negative is possible, but might not be practical since virtually all labs with a Rank will give you a package deal at the time of processing.
But technically, it can be done.
Roger
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